If you love someone in eldercare, Netflix’s I Care A Lot, a slick thriller about guardianship fraud, is the stuff of recurring nightmares. “It’s just a story,” you might tell yourself when you jacknife awake in a cold sweat at 3:00 a.m., wrenched from a monstrous dream about Rosamund Pike selling your grandmother’s valuables—but not so fast. While the film isn’t explicitly based on a single true story, it’s constructed from real life events: namely, the myriad guardianship scams ransacking the wealth and autonomy of countless older Americans.

Interstellar, the Christopher Nolan-directed space epic you've either seen or heard about these past two weeks, has already grossed over $132 million worldwide, fulfilling its destiny as 2014's most anticipated film. Which is why the fact that a behind-the-scenes book—Interstellar: Beyond Time and Space: Inside Christopher Nolan's Sci-Fi Epic ($30.75, Titan)—has already been released is no real surprise. What is more of a surprise is some of things the book has to tell us about the film, from its conception right up its release this month, including Louisiana storms, dead Templar knights, and torturous filming equipment.

While superhero fatigue is plaguing Marvel and DC at the box office, Amazon Prime Video's Invincible is going strong. According to the streaming service, the violent (yet heartfelt!) animated series tripled its opening-weekend viewership from the first season. Prime Video didn't reveal the specific numbers, of course, but growth is good! Invincible's second season continues to successfully adapt the original comic book series by The Walking Dead creator Robert Kirkman, boasting stellar voice-acting work from Steven Yuen, J.

Like any heist, there’s a lot that can go wrong when watching Netflix’s new crime thriller, Kaleidoscope. The eight-episode series claims that it can be watched in any order, but Kaleidoscope does have a true ending in the “Pink” episode, set six months after the heist takes place. Depending on where that episode lies in your watch order, the fate of the heist’s mastermind, Leo Pap (Giancarlo Esposito), may not be as obvious.

She landed at the multiplex this summer like a pink confetti bomb, blithely crushing the patriarchy under one (permanently) arched foot. Two decades before Greta Gerwig’s Barbie, though, Quentin Tarantino lured legions of moviegoers with his own bloodied, baroque take on essentially the same formula: a canonical blonde, a feminist even film bros could appreciate, a deathless Halloween costume. Kill Bill Volume 1, released 20 years ago this week, isn’t strictly the best Tarantino film, but it is maybe the most Tarantino.