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1938: Young James Dean

James Byron Dean was born on February 8, 1931 in Marion, Indiana. As a child, Dean's father left behind his farming career and moved the family to Santa Monica, California to train as a dental technician.
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1945: A Tragic Beginning

When Dean was just nine years old, his mother passed away from cancer. Dean was sent to live with his aunt and uncle on their farm in Fairmount, Indiana.
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1947: An All-American Boy
Michael Ochs Archives//Getty ImagesDean (front, center) and his high school baseball team pictured in 1948 in Indiana.
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1948: Life in Indiana
Michael Ochs Archives//Getty ImagesDean aspired to be an actor. After graduating from high school, he moved to California for a few years and studied theater.
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1951: A Move to New York City
Mondadori Portfolio//Getty ImagesIn 1951, the aspiring actor moved to New York City to pursue roles in theater. Dean trained under Lee Strasberg, although it's rumored the two didn't get along. It was around this time that the actor landed a role in the 1952 Broadway play, See the Jaguar.
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1953: More Minor Roles
CBS Photo Archive//Getty ImagesThroughout the '50s, Dean scored minor roles in big pictures like Fixed Bayonets!, Sailor Beware, and shows like Kraft Television Theater. Here, Dean is seen dancing in a scene with actress Betsy Palmer in the CBS show, Danger.
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1954: Heading to Hollywood
Mondadori Portfolio//Getty ImagesIn 1954, the actor's performance in the play The Immoralist caught the attention of Hollywood studios. Once again, Dean packed up and moved, this time out west where he began being groomed to be a young star.
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1953: Always a Rebel
ullstein bild Dtl.//Getty ImagesFrom a young age, Dean had a penchant for fast cars and motorcycles, a hobby that would continue throughout his career.
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1954: Never Too Serious
Michael Ochs Archives//Getty ImagesDean is credited for changing the trajectory of screen acting and bringing method acting into the fold. But that didn't mean the star took himself too seriously.
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1954: A Working Actor
Michael Ochs Archives//Getty ImagesDean landed his first major movie role in 1954's East of Eden. Here, the actor is seen on set with his Italian girlfriend, actress Pier Angeli.
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1954: On His Mark
Michael Ochs Archives//Getty ImagesEast of Eden was a film adaptation of John Steinbeck's novel of the same name. With direction from Elia Kazan, Dean gave a masterful performance.
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1954: Mastering Ballet
Frank Worth, Courtesy of Capital Art//Getty ImagesDean was a skilled dancer and is seen here practicing ballet with a woman in California. The actor had previously taken lessons in New York City.
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1954: A Successful First Film
John Springer Collection//Getty ImagesEast of Eden was a hit. Dean later earned an Academy Award for his role and signed on to film two more pictures with Warner Bros. the following year.
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1954: A Young Hollywood Couple
Bettmann//Getty ImagesOn the heels of his first film, Dean and his girlfriend, Angeli, became one of Hollywood's newest A-list couples.
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1954: A Bad Boy Image
Hulton Archive//Getty ImagesMuch to the studio's chagrin, Dean never stopped riding his motorcycle.
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1954: Leading Man Status
Michael Ochs Archives//Getty ImagesDean and actress Terry Moore attend the Hollywood premiere of Sabrina together. After the success of East of Eden, Dean was slated to become one of Hollywood's next big stars.
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1955: 'Rebel Without a Cause'
Archive Photos//Getty ImagesDean began production on Rebel Without a Cause in 1955, in which he played the misunderstood Jim Stark.
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1955: On Set With Natalie Wood
Michael Ochs Archives//Getty ImagesDean's costar for his second leading role was legendary Hollywood actress, Natalie Wood.
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1955: Goofing Around on Set
Archive Photos//Getty ImagesDean and Wood became close friends on the set of their film, which was a turning point in both of their careers. For Dean, it was the first film he received top billing for, and for 16-year-old Wood it was a transition to more adult roles.
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1955: A Skilled Actor
Michael Ochs Archives//Getty ImagesDean is seen discussing his role in Rebel Without a Cause on set during one of the film's most pivotal scenes with director Nicholas Ray.
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